The live mehfil recording of Amir Khan SahebвЂ™s relaxed and brilliant analysis of Adana can be found here. Every rangoli tells a story, and one should notice the sober colours and the artistic appreciation of the director. ShantaramвЂ™s fertile artistic imagination,using beautiful Rangolis, has infused so much of life into this song.

The picturization of this song is outstanding. A most beautiful Adana rendering brilliantly by the great Ustad Amir Khan. There are some important points about this song. Jhanak Jhanak Payal Baje вЂ“ Jhanak Jhanak Payal Baje(1955) -Vasant Desai Begum Parveen Sultana is well past her prime, but there are glimpses of greatness.ДЎ. вЂњ Jhanak Jhanak Payal BaajeвЂњ, вЂњ Cham Cham Baaje PayaliyaвЂњ, вЂњ Pag Ghunghroo Band Meera Nachi вЂњ are repeating themes,and even a casual listener of Hindi film music will be familiar with it.Д«efore I start presenting the songs from Hindi cinema, I would like to bring to focus one evergreen Bandish in Raga Puriya Dhanasree, which has been a faovurite with Hindustani musicians for ages. It has been used extensively in Hindi cinema, especially in compositions based on classical music, and this post focuses on the same. Payal, or the anklet, has been a favourite theme in Indian classical music and many lovely compositions abound based on this theme.

Payal ki jhankar